
illustration from Yeats’ “September 1913”
(c) lusciousblopster/Flickr (CC BY-NC-SA 2.0)
MacMorris, gallivanting
around the Globe, whinged[…]
“What ish my nation?”
And sensibly, though so much
later, the wandering Bloom
replied, “Ireland,” said Bloom,
“I was born here. Ireland.”
Traditions, Seamus Heaney
Bloom may have been sensible, but his simple statement was not undisputed. A spit on the ground is the response to his reply in Ulysses. MacMorris, the original stage Irishman in Henry V declares “Ish a villain and a bastard and a knave and a rascal”, a admission unsurprising, Heaney suggests, to an English audience with a low opinion of the Irish. Identity is complicated, Irish identity perhaps especially so.
“[T]he histories of dependant, colonized nations are for the most part histories of ‘accidents'” – whether of births at home, ventures abroad, fortunes of war (Duddy, History of Irish Thought, p. xiii). Simple criteria to try and define the products of such a complicated history inevitably exclude – something Joyce was deliberately targetting when he wrote the words of Bloom’s reply. Could Bloom, nonCatholic and nonChristian, be accepted as Irish?