In these and other particulars it can be seen that both the Aeneid and the Confessions approach a usual pattern and to one another. Aeneas in his flight from Troy has many shattering personal experiences, many a trial, and a visit to the underworld from which he emerges regenerated, with a clear vision of his destiny and the strength and confidence to fulfil it. Augustine, likewise, pictures himself as the Prodigal Son fleeing back to the Father (an important related motif in the Confessions), has equally shattering personal experiences and trials, ‘dies to his old self and puts on Christ in a mystic calling from which he emerges regenerated. There are differences of emphasis between the one work and the other – in particular the Confessions stress the ‘flight’ in terms of the Neo Platonic flight to the Fatherland and the way thither. But broadly speaking each is the story of Everyman in his journey through life.”
From “Virgil and Augustine: The Aeneid in the Confessions” by John Ó’Meara, in The Maynooth Review / Revieú Mhá Nuad , Vol. 13, (Dec., 1988), pp. 30-43 [available on JSTOR, limited free access]
The Irish philosopher John J. O’Meara on the parallels between Augustine’s Confessions and Virgil’s Aeneid. The Aeneid, written by Virgil between 29 and 19 BC, recounts the tale of Aeneas, a Trojan who wandered the Mediterranean after the Fall of Troy. He eventually arrives in Italy where he became the ancestor of the Romans.
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