Correcting Lucretius: Dúngal and Carolingian Cosmology

King and Court Astronomer

In January 1417 a man called Poggio Bracciolini pulled a book from a shelf in a German monastic library. The text was De Rerum Natura, a long poem written by the Roman Lucretius in the 1st century BC outlining the tenets of Epicureanism. Much has been written about that event and its effect on the Renaissance, even suggesting it was central in creating modernity1. The story of the text before it was found is less well known.

De Rerum Natura was a poem written in the 1st century BC outlining the tenets of Epicureanism, a philosophical school founded by Epicurus (c. 341-c. 271 BC)2. Epicureanism grew to be one of the major philosophical schools, declining in popularity from the 2nd century on. The oldest manuscripts of the poem that survive are held in the library of Universiteit Leiden: Voss. Lat. F. 30, from the early 9th century nicknamed O and Voss. Lat. Q. 94, nicknamed Q3.

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Robert Boyle, Irish Identity and Science

This year’s 5th Annual Robert Boyle Summer School which runs from June 23 2016 explores ‘Science and Irish Identity’. Organiser Eoin Gill argues that in Ireland, scientific achievements are less celebrated than literary ones. Gill says that1:

It is not unusual for people to talk openly about Yeats and Joyce and their significance in our history and culture. Science has been squeezed out, and some suggest it is because many of our leading scientists were Anglo-Irish and science therefore was seen as an Anglo-Irish pursuit and spurned by the Free State. Others claim that the Catholic Church was wary of science and some even suggest that Catholics themselves leaned more towards superstition than rational inquiry.

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The Veil of the Temple

I throw this ended shadow from me, manshape ineluctable, call it back. Endless, would it be mine, form of my form? Who watches me here? Who ever anywhere will read these written words? Signs on a white field. Somewhere to someone in your flutiest voice. The good bishop of Cloyne took the veil of the temple out of his shovel hat: veil of space with coloured emblems hatched on its field. Hold hard. Coloured on a flat: yes, that’s right. Flat I see, then think distance, near, far, flat I see, east, back. Ah, see now! Falls back suddenly, frozen in stereoscope. Click does the trick.

James Joyce, Ulysses, Episode 3: Proteus.

This episode of Ulysses is set at 11am on Sandymount Strand where Stephen sits on the rocks, idling away the hour and a half before he is due to meet Mulligan. While he sits, he reflects on form and substance, echoing the episode in the classical Ulysses, where Menelaus grips Proteus as Proteus changes into many forms.

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Mortal Soul to Immortal

Who doubts but that our Bodies are naturally Mortal? Yet who does therefore believe them actually Mortal after the Resurrection and the General Judgment? And what can hinder but that the same Divine Power which can and shall then Immortalize the Mortal Body, so as to qualifie it for eternal Punishment of which it had not otherwise been capable, may expose mortal Soul to Immortal never ending punishment, as easily as themselves believe it preformed in the Case of the body?

From Henry Dodwell (1706) An Epistolary Discourse, proving from the Scriptures and the First Fathers, that the soul is principle Naturally Mortal, but Immortalized actually by the Pleasure of God to Punish or Reward, by its union with the Divine Baptismal Spirit, wherein is proved that none have the power of giving this Divine Immortalizing Spirit since the Apostles but only the Bishops, p. 18. Quoted in Jeffrey R. Wigelsworth (2001) “The Sleeping Habits of Matter and Spirit: Samuel Clarke and Anthony Collins on the Immortality of the Soul” in Past Imperfect, Vol. 9 (online), p. 3.

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