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16 Nov

The Mindful Asking of Essential Questions

The charge of lack of progress can also be equivocal. If philosophy is the mindful asking of essential questions, perhaps there are never ready-made answers that can be encapsulated in univocal categories, hence packaged and transmitted through time, like mail handled through the post. […] No genuine philosopher can accept answers ready-made from others: this is simply the nature of the philosophical enterprise as a metaxological dialogue. This may seem to confirm the prejudice that philosophy is just sophisticated, not to say sophistical garrulousness. The deeper meaning is that each age and every individual must struggle, in the overdetermined ambiguity of the middle, to renew for itself a mindfulness of the essential questions. Nothing, not even scientific method, can stand proxy for this struggle.

William Desmond (1990) Philosophy and Its Others, Albany NY: State University of New York Press, pp. 31-2.
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15 Sep

A New World

08 Sep

Onora O’Neill on Trust

UCD honored Onora O’Neill by awarding her the UCD Ulysses Medal, on 8th September 2017.

The video above is of a TED talk given by Onora O’Neill in June 2013 entitled “What we don’t understand about trust.” The talk explores misapprehensions about trust and points out that what we really want is more trustworthiness. A link to the talk including transcript is here.
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10 May

The Fate of Science

It is easy for a scientist, in what is still a bourgeois democracy, to look with superior horror at what is happening to science under Fascism. But the fate of science in his own country is at the moment still hanging in the balance, and it depends on factors quite outside the scope of science itself. Unless the scientist is aware of these factors and knows how to use his weigh this position is simply that of the sheep awaiting his turn with the butcher.

J. D. Bernal (1939) The Social Function of Science.

Via @ColdWarScience

31 Dec

Irish Times Unthinkable: Prof Peter Simons on the nature of time

29 Dec

Testability by Deduction

In the first chapter it was mentioned that the scholastic dictum, “Nihil est in intellectu quod nonpriusfuerit in sensu“, was too narrow; it is in fact equivalent to Hume’s criterion that for a word to have meaning it must denote something with instances.

It is now clear exactly why this is too narrow; there is no instance denoted by the word “gravitation”, and gravitation can be in the intellect even though it cannot be sensed. It is perhaps noteworthy that among early philosophers Berkeley, who was much against the use of words without a corresponding idea, concede that there was a legitimate use of words like “gravitation”.

In that chapter it was indicated that for the scientific outlook a concept must be capable of of being related to perception, directly or indirectly; it is now clear what is the precise way in which a concept is indirectly related to perception — it is by the mechanism of testability by deduction. We may also say that Ockham’s razor expresses this: entities that cannot be related to perception even indirectly are unnecessary and not to be introduced.

J. O. Wilson (2013) Foundations of Inference in Natural Science, London: Routledge, pp. 50-1. The original edition was published in 1952. The book outlines views of scientific inference developed since the end of World War I up to the 1950s (see PhilPapers).

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15 Jul

Reading the Rising: The Red and the Green

An open book bearing Iris Murdoch's image.

Detail of Hughie O’Donoghue’s artwork “Red Books” (2013), John Paul II Library at Maynooth University

Iris Murdoch wrote only one historical novel, The Red and the Green1. It follows the events leading up to the 1916 Rising as they affect an Anglo-Irish extended family “in a complex story story of misunderstandings, failures of perception, and ultimate self-discovery” 2.

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27 May

The Wheel’s Annual Lecture 2016: Professor Philip Pettit, “Neo-liberal and Neo-republican Perspectives”

Talk given at The Wheel’s Annual Lecture (Croke Park, Dublin) on 25th May 2016.

The theme of Prof. Pettit’s lecture was “Neo-liberal and Neo-republican Perspectives”. Neo-liberalism and neo-republicanism each make the ideal of freedom central in their vision of state and society. Neo-liberals argue in an all too familiar fashion that freedom requires an expanding market and a contracting state. But neo-republican thought offers a nice counterpoint to that ideology, casting people in the role of citizens rather than consumers. Drawing on a tradition with a central place in Irish history, it maintains that people can enjoy freedom, even freedom in marketplace relationships, only if their civic status ensures equal protection, empowerment and respect. According to this philosophy, people are free only if they each have standing enough to be able to look one another in the eye without reason for fear or deference.

09 May

Philosophy of Leisure

Leisure, according to the ancients, is the proper state of man. Work is what is necessary for survival and a necessary condition for leisure. It is not an end in itself. Leisure is. It is the end, the goal, of human life.

Cyril Barrett (1989/2016) “Introduction” in Tom Winnifrith and Cyril Barrett (eds) Philosophy of Leisure, Palgrave McMillian, p. 1. (2016 reprint of 1989 original).

23 Apr

Shakespeare, aesthetics and morality

So let us start by saying that Shakespeare is the greatest of all artists, and let our aesthetic grow to be the philosophical justification of this judgement. We may note that a similar method can, and in my view should, be used in moral philosophy. That is, if a moral philosophy does not give a satisfactory or sufficiently rich account of what we unphilosophically know to be goodness, then away with it.

Iris Murdoch (1959) “The Sublime and the Good”, Chicago Review, Vol. 13, No. 3, pp. 42-55. Quote from p. 42.

For the fourth centenary of  Shakespeare’s death, Iris Murdoch’s judgement of him as the greatest artist of all. Murdoch argues against Tolstoy that both aesthetics and morality have to start from the concrete, not from definitions which determine what is art, or what is good.